About Keen

Our Mission

Keen Company is a Drama Desk and Obie Award-winning Off-Broadway company creating theater that connects. In intimate productions of plays and musicals, we celebrate the complexities of hope and the joys of the human condition.

Our Ethos

Our door is always open. 

We offer people the tools they need to have a positive and welcoming experience. We endeavor to be a trustworthy host to all. 

A good process makes for better art.

We strive to foster productive, healthy, joyous collaborations that encourage vulnerability and risk-taking. Kindness, resourcefulness, and enthusiasm are valued here.

Connection is at the heart of everything we do.

We seek out deeper relations with our community of collaborators, audiences, and peers through specificity, honesty, accessibility, and anti-racist practices. We are responsible for our impact both on and off the stage.

Keen (adjective): showing enthusiasm or interest; having great perception or insight

Our Programming

Off-Broadway Productions

We stage intimate productions of plays and musicals that celebrate the complexities of hope and the joys of the human condition.

  • Keen has brought such intimate productions to the stage as Crumbs from the Table of Joy by Lynn Nottage (First NY Revival), The Year of Magical Thinking by Joan Didion (starring Kathleen Chalfant), This Space Between Us by Peter Gil-Sheridan (World Premiere), Blues for an Alabama Sky by Pearl Cleage (NY Premiere, AUDELCO and Antonyo Nomination), Surely Goodness and Mercy by Chisa Hutchinson (NY Premiere), Ordinary Days by Adam Gwon (Drama League Nomination), Tick, Tick...BOOM! by Jonathan Larson (Drama Desk Nomination), Boy by Anna Ziegler (World Premiere, Outer Critics Circle John Gassner Award), and Marry Me a Little by Stephen Sondheim (Drama League Nomination).

Keen Teens

Our education program since 2007, Keen Teens raises the quality of plays written for high school students by commissioning work from professional playwrights.

  • This free program for teens provides invaluable mentorship opportunities - working alongside professional writers, directors, and designers to rehearse and premiere new work. Through our partnership with Concord Theatricals (previously Samuel French), these plays are published and licensed across the globe.

Playwrights Lab

Launched in 2014, our Playwrights Lab brings together 3 playwrights in mid-career to develop new work in a supportive environment.

  • Over the course of a year, each playwright develops a new full-length play inspired by Keen’s mission. The program culminates in a public reading series, where plays are shared with our community, industry professionals, and the general public.

Benefit events

We host an annual benefit gala and produce star-studded, one-night-only readings of classic plays to support Keen throughout each season.

  • Each year, we celebrate a new Keen season with a gala featuring extraordinary performances, musical entertainment, and backstage stories.

    Join us for one-night-only benefit readings of classic smash-hit comedies and thrilling dramas featuring all-star casts!

— Terry Teachout, The Wall Street Journal

“Why can’t we have shows like this on Broadway?”

Keen’s Commitment to Anti-Racism

Keen Company is acutely aware that we cannot fully live up to our mission of identification and connection until our organization and spaces are safe and welcoming for everyone.

Inspired by and in support of the efforts by the Broadway Action Network and other BIPOC theatermakers, Keen Company began thoroughly examining our policies and practices. As a public commitment to become an anti-racist theater, Keen published an outline of our next steps toward addressing systemic racism within the company. The full original message was posted on October 30, 2020. As an on-going practice, Keen will continue to map out our commitments as they evolve and grow along with our staff and organization.

  • To lead by example, the Keen Company Board of Directors commits to the following on-going practices:

    → Formation of the Diversity Equity and Inclusion Working Group, a board committee dedicated to researching and implementing best practices at the board level.
    → The active searching and cultivating of board members with diverse backgrounds and lived experiences.

  • To better budget our values, Keen Company commits to the following practices:

    → Fair compensation for artists and technicians participating in fundraising, panels, talkbacks, and other events.
    → Offering American Sign Language interpreted performances, audio described performances, and assisted listening devices for all productions. Touch tours will also be offered when viable.
    → Ensuring cultural advisors and/or audience development consultants are employed per project to improve authenticity, outreach, and retention of patrons.
    → On-going anti-racist training for all full and part-time administrative staff.

  • To expand our artistic community and serve our industry and audiences, Keen will continue the work of disrupting our primarily-white networks by:

    → Prioritizing the hiring of BIPOC staff as positions become available.
    → Actively seeking out connections with new BIPOC playwrights, directors, designers, actors, stage managers, and technicians. We particularly want to acknowledge the necessity of hiring culturally-competent costume, wardrobe, hair, and makeup personnel.
    → Deepening relationships with current BIPOC alumni artists across all of our programming.
    → Committing to increased hiring of BIPOC artists across all disciplines, with an eye on specific targets for future seasons.

  • To increase transparency, Keen will implement the following public initiatives:

    → A Land Acknowledgement will be highlighted at public events as well as in printed materials.
    → Detailed accessibility information will be provided for each space including low mobility information surrounding restrooms, elevators, and seating areas.
    → Language will be included in all programs welcoming unpoliced audience responses and reactions.
    → An on-boarding guide will be provided for all artists and independent contractors to demystify schedules, contracts, company procedures, and all other expectations.

  • To promote advocacy, Keen has sent letters to the following organizations to address larger systemic issues we cannot tackle alone. We will continue to advocate for these issues whenever possible.

    → Encouraged Actors Equity to provide annual free Anti-Racist training for all members, allow for flexibility in LOA contracts which would ease the burden of tech schedules, and cover artist mental health counseling under union health plan.
    → Encouraged SDC, USA, and 802 to provide annual free Anti-Racist training for all members, break down barriers of entry for young BIPOC directors and designers, and cover artist mental health counseling under union health plan.
    → Encouraged ART/NY to provide free or low cost annual Anti-Racist training for freelancers, on-staff DEI professionals available to consult members, micro-grants for anti-racist initiatives, and better efforts to increase engagement with Indigenous theatermakers.
    → Encourage Theater Row (where we are a resident company) to include a Land Acknowledgement in all program templates as well as posted in the physical venue, commit to Anti-Racism in all its activities, provide anti-racist training for all staff, investigate pro-rated venue rental days to ease the time constraints around tech schedules, and increase engagement with Indigenous theatermakers.

Keen Company is committed to further de-centering whiteness in our Keen Company team and among the artists featured in our Off-Broadway productions, Playwrights Lab, and Keen Teens. Keen Company pledges to continue to educate ourselves on specific and actionable ways to be anti-racist. Contact Artistic Director Jonathan Silverstein directly with any questions or concerns at jonathan@keencompany.org or 212-216-0963.

Keen’s Commitment to Accessibility

Keen Company continues to work to make our programming truly accessible to all audience members.

We currently offer touch tours and audio described performances for low-vision patrons, as well as large print and braille programs and audio guides. We also offer ASL interpreted performances for deaf and hard-of-hearing patrons. All venues utilized by Keen must meet ADA accessibility requirements. Keen continues to work to make this website complaint with the Web Content Accessibility Guidelines (WCAG) 2.0 Level AA.